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Article from "The Valley Social Magazine" September 15th -
21st, 2005 (page 19)
BY SOPHIA LOUISA LEE
Dover Abrams was born and raised
in the Valley 33 years ago. He and his
wife, Jill (a native of Colorado, and also
33) are artists with drive. Dover
is a self-taught painter, muralist,
sculptor, and musician. When
asked how he describes his work,
Dover explains, “I focus on abstract
and figurative paintings
with primitive undertones.” Jill
creates ceramics that are reminiscent
of Ming vases. She also
sculpts and draws with ink on
paper. Their raw talent and the
ambition to exhibit and sell their
work started them on a path to
start what is becoming a very
reputable art gallery for emerging
and established artists.
The Abrams started their business
as artists on the streets of North
Hollywood. They gathered a group
of ten to . fifteen local artists and sold
the group’s original works of art on
Lankershim Boulevard. This drew the
attention of people at Constellation
Studios, who admired and appreciated
what the artists were doing. Constellation
aided the artists’ efforts by letting
them show in front of their building.
Soon, the studio offered inside space
for monthly exhibitions. The success
of these shows encouraged the
Abrams to start their own gallery. An
invitation was extended to be part of
the Lankershim Arts Building, then
run by the Print Making Society and
home to a non-pro. t theatre company.
Because the space was occupied for
more than half of the year, the Abrams
initially used the space for about five
months, slowly building a business of
art for not only themselves, but for
other local artists as well.
During that time, the Lankershim Arts
Building was a city-subsidized organization.
The Abrams managed to maintain
their art business with their own finances, and gave back to the community
by offering art classes. The next
six years they put sweat equity not only
into their gallery, but also into coming
up with (and following through on)
ideas that would benefit North Hollywood.
Dover recalls, “We put hard
work into the gallery, not just for the
Lankershim Arts Building, but for the
entire neighborhood. It meant a lot to
us.” It paid off. The Abrams developed
a successful and popular gallery that
greatly contributed to the success of
the NoHo Arts District.
In October of 2004, the couple found
their gallery rapidly growing. Their
clientele were becoming much savvier,
and more wall space for quality art was
needed. Sharing a gallery with an upstairs
theatre company was becoming difficult, as the demand for more shows
was increasing. When they found the
perfect space, the Abrams moved their
artists and clientele to Downtown Los
Angeles to become part of Downtown’s
new monthly Art Walk. This was the
impetus for Infusion Gallery, a beautiful,
spacious, 10,000 square foot gallery.
They had truly developed a place
where, as they put it, “Emerging artists
are discovered.”

Guest solo artists from across the
country exhibit their work at Infusion
Gallery, and group shows feature hot
local talent. Resident artists include
Dover, Charlie Morey, Jenik, and Veronika
Constantine. Infusion Gallery
provides an opportunity for serious
and new art collectors to invest in art
for under $5,000. The artists are already
seeing an increase in sales.
Running a successful gallery takes work
-- more than the average person realizes.
To present exciting new shows
monthly, the Abrams believe that they
need to put the business of art before
the actual art. As artists themselves,
they certainly produce enough saleable
art to have a gallery of their own works.
They prefer to give other artists an opportunity
to be part of what they do.
They look for artists not only with talent,
but also with the drive to promote
their own work, and more importantly,
positive attitudes in order
to be part of the business of
selling art. When asked what
their vision for the gallery is,
Dover states, “Our goal is to
have an elite group of positive,
forward-thinking artists.
We want artists who are
dedicated to our space, as we
strive to make it a home base
for people to come to when
looking for new, original and affordable contemporary
art.”
The Abrams do everything
they can to make sure that
they deliver a spectacular
show, with stimulating work that captures
not only the eye, but the soul as
well. They encourage their artists to be
present at the monthly art receptions
so that they can discuss their work in
person with the public.
Infusion Gallery receives multitudes
of submissions for showings, so much
so that they have to turn away artists.
They find that what is most successful
is working with artists who are likeminded
in the business of creating
and selling collectible art. Dover goes
beyond showing his work at Infusion
Gallery, and has upcoming shows in
Connecticut, London, and Australia.
His work can also be found all over Los
Angeles. From making a mark in the
NoHo Arts District, the Abrams have
created a gallery that is well on its way
to becoming a force to be reckoned
with.
Infusion Gallery hosts its artists’ reception
the second Thursday of every
month as part of the Downtown Los
Angeles Art Walk from 6:00 p.m. to
11:00 p.m. The gallery is located at 828
S. Main Street, Los Angeles, California,
213.683.8827. For more information,
go to www.InfusionGallery.com.
Sophia is a local artist who regularly
shows with Infusion Gallery. Her work
can be viewed at:
www.dessagallery.com.
Dover and Jill Abrams pose with a painting of themselves.
artical from hi international magazine
Optical Concerto
Optical Art
By Marah Bukai and Nura Suleiman
August 2005
"Feathers" of Abrams Op Art has changed since the 1960s and '70s. New American artists have been trying to imbue the form with a humanitarian and emotional dimension.
Take Dover Abrams, an artist in Los Angeles who focuses most of his time on Op Art.His works' high energy comes from the repetition of symbols and images piling and cascading upon one another, creating the illusion of motion. It's a departure for Abrams, who started out in graphic art. What he's doing now is a far cry from frantically spraying paint on walls and cement blocks, or even painting on cloth and wood. If anything, his work shows a young artist beginning to balance flowing emotion with the more controlled wisdom of an accomplished master.
Jill Peterson, Abrams' contemporary, chimes in on the paintings' current appeal: "The works of Abrams show, in his fleeting thought, a gentle emotional indicator through explosive color and design." Abrams works for 10 hours a day, and never leaves his studio before finishing whatever he's begun. "He tries, through his symbols, to test the receptivity and sensitivity of the viewer," Peterson says, "although the degree varies between one person and another.
Abrams, who manages the Infusion Gallery in Los Angeles, considers himself an optical artist. "What I do stimulates the optic nerve and creates sensations to the brain of all kinds of emotional feelings," he says. "I mean, those feelings like love, loss, pain, loneliness.
Although some might dismiss Op Art as a sort of intellectual parlor game, a way to trick the eye, Abrams argues that working in the form has benefits not only for the viewer, but the artist as well. "My way of work is called stream of consciousness," he says. "Painting this means I put everything out of my mind and just let the inspiration take over and run through my body to create spontaneous paintings with vivid imagery and bold intensions.
Op Art, with its repetition of form and manipulation of space, has been nurtured by strong artists throughout the years - from Dover Abrams and his contemporaries, back through Lawrence Poons and Bridget Riley, all the way back to Josef Albers. Although separated by time, these artists have had one common goal: challenging the viewers' sight, forcing them to step onto the uncomfortable ground of the abstract.
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